[000:50:02;298] ♪ THEN I'M SLIPPING [000:50:03;299] ♪ BUT IF I GOT MY NINA [001:35:26;485] ) [001:36:07;960]  [001:36:07;960] ♪ HER LOVE RAINS DOWN ON ME [001:36:11;564] ♪ AS EASY AS A BREEZE [001:36:15;968] ♪ I LISTEN TO THE BREATHING [001:36:19;906] ♪ IT SOUNDS LIKE THE WAVES [001:36:19;906] ON THE SEA ♪ [001:36:24;077] ♪ I WAS THINKING ALL ABOUT HER [001:36:28;314] ♪ BURNING WITH RAGE AND DESIRE [001:36:32;651] ♪ WE WERE SPINNING [001:36:32;651] INTO DARKNESS ♪ [001:36:36;922] ♪ AND THE EARTH WAS ON FIRE [001:36:40;926] ♪ SHE COULD TAKE IT BACK [001:36:45;331] ♪ SHE MIGHT TAKE IT BACK [001:36:45;331] SOMEDAY ♪ [001:36:57;743] ♪ SO I SPY ON HER, [001:36:57;743] I LIE TO HER ♪ [001:37:02;548] ♪ I MAKE PROMISES [001:37:02;548] I CANNOT KEEP ♪ [001:37:07;085] ♪ THEN I HEAR [001:37:07;085] HER LAUGHTER RISING ♪ [001:37:11;022] ♪ RISING FROM THE DEEP [001:37:15;894] ♪ AND I MAKE HER PROVE [001:37:15;894] HER LOVE FOR ME ♪ [001:37:19;632] ♪ I TAKE ALL THAT CAN TAKE [001:37:23;969] ♪ I PUSH HER TO THE LIMIT [001:37:28;173] ♪ TO SEE IF SHE WILL BREAK [001:37:32;411] ♪ SHE MIGHT TAKE IT BACK [001:37:36;682] ♪ SHE COULD TAKE IT BACK [001:37:36;682] SOMEDAY ♪ [001:38:28;433] ♪ NOW I HAVE SEEN THE WARNINGS [001:38:32;437] ♪ SCREAMING FROM ALL SIDES [001:38:36;441] ♪ AND IT'S EASY TO IGNORE THEM [001:38:40;712] ♪ GOD KNOWS I'VE TRIED [001:38:45;217] ♪ ALL OF THIS TEMPTATION [001:38:49;154] ♪ YOU KNOW, [001:38:49;154] IT TURNED MY FAITH TO LIES ♪ [001:38:54;124] ♪ TILL I COULDN'T [001:38:54;124] SEE THE DANGER ♪ [001:38:58;062] ♪ OR HEAR THE RISING TIDE [001:39:01;999] ♪ SAN TAKE IT BACK [001:39:06;237] ♪ SHE WILL TAKE IT BACK [001:39:06;237] SOMEDAY ♪ [001:39:18;883] ♪ SHE CAN TAKE IT BACK [001:39:23;620] ♪ SHE WILL TAKE IT BACK [001:39:23;620] SOMEDAY ♪ [001:39:36;100] ♪ SHE WILL TAKE IT BACK [001:39:40;037] ♪ SHE WILL TAKE IT BACK [001:39:40;037] SOMEDAY. ♪ [001:39:58;389] Captioned by [001:39:58;389] The Caption Center [001:39:58;389] WGBH Educational Foundation [001:47:50;422] A@p  G [001:47:50;422] THIS IS [001:47:50;422] SID VICIOUS HERE. [001:47:54;426] VERY NICE. [001:47:54;426] WHAT DO YOU HAVE? [001:47:54;426] PUT IT IN THERE. [001:48:27;859] IT'S NONE [001:48:27;859] OF MY BUSINESS, MAN, [001:48:30;361] BUT I DON'T KNOW WHY [001:48:30;361] YOU HANG WITH THIS CHICK. [001:48:34;365] FUCKING JUNK HOG, [001:48:34;365] LET'S FACE IT. [001:48:36;868] ON TOP OF THAT, [001:48:38;837] SHE'S ALWAYS [001:48:38;837] GETTING DOWN ON YOU, [001:48:40;839] BITCHING AT YOU, [001:48:40;839] COMPLAINING. [001:48:42;841] SHIT, MAN. [001:48:44;843] SHE'S ALL RIGHT. [001:48:44;843] SHE DON'T MEAN IT. [001:48:47;378] SHE OUGHT TO HAVE [001:48:47;378] MORE RESPECT FOR YOU. [001:48:50;348] IF I HAD A GIRLFRIEND, [001:48:52;383] SHE'D SHOW ME [001:48:52;383] SOME RESPECT. [001:48:54;820] BELIEVE IT. [001:48:56;287] WHAT ARE YOU [001:48:56;287] TALKING ABOUT? [001:48:58;323] YOU DON'T KNOW HER. [001:49:00;291] SHE'S GOT ME [001:49:00;291] GIGS AT MAX'S. [001:49:02;828] WE'RE GETTING [001:49:02;828] OFF THE H. [001:49:04;830] SMART MOVE. [001:49:06;331] SMART MOVE. [001:49:09;868] IT'S MY TURN? [001:49:10;502] YEAH, MAYBE. [001:49:13;805] DON'T GET ME WRONG, SID. [001:49:15;807] NANCY'S GREAT. [001:49:17;342] I LOVE HER. [001:49:19;310] YOU KNOW [001:49:19;310] WHAT I'M SAYING. [001:49:24;850] DID I LEAVE A LOT [001:49:24;850] OF MONEY AROUND HERE? [001:49:28;353] I LEFT A FUCKING [001:49:28;353] WAD OF MONEY SOMEPLACE. [001:49:40;365] CAN I HAVE A LITTLE BIT [001:49:40;365] OF THIS FOR LATER? [001:49:44;068] LOOK, SID, [001:49:44;068] IT'S NOT MUCH. [001:50:07;291] OWW! [001:51:48;759] DO YOU [001:51:48;759] HAVE ANY IDEA [001:51:50;928] WHO HAS STAYED HERE [001:51:50;928] BEFORE YOU? [001:51:53;430] DYLAN THOMAS... [001:51:54;932] THOMAS WOLFE, [001:51:54;932] ARTHUR MILLER, [001:51:54;932] TENNESSEE WILLIAMS. [001:51:57;367] THIS IS NOT A PLACE [001:51:59;369] WHERE PEOPLE SET FIRE [001:51:59;369] TO THEIR ROOMS. [001:52:01;872] THE CHELSEA HOTEL [001:52:01;872] IS A LANDMARK. [001:52:04;374] IT'S AN HISTORIC PART [001:52:04;374] OF THE CITY [001:52:04;374] OF NEW YORK. [001:52:08;978] I WANT SHOPPING! [001:52:10;180] I WANT SHOPPING! [001:52:12;048] SHOPPING! [001:52:13;350] I WANT SHOPPING! [001:52:15;385] SHOPPING! [001:52:16;653] I'M PUTTING YOU [001:52:16;653] HERE IN ROOM 100. [001:52:18;888] IT'S ON [001:52:18;888] THE FIRST FLOOR. [001:52:18;888] YOU'LL LIKE IT. [001:52:21;891] LOOK AT THAT. [001:52:21;891] THE DOOR'S OPEN. [001:52:24;861] WAIT A SECOND! [001:52:24;861] WAIT A SECOND! [001:52:26;896] WHERE ARE YOU GOING [001:52:26;896] WITH THAT LAMP? [001:52:28;898] THIS IS OUR LAMP. [001:52:34;070] THIS IS OUR LAMP. [001:52:34;070] WE BOUGHT IT. [001:52:36;439] WHERE'S THE TV? [001:52:38;375] THERE'S NO TV? [001:52:40;377] THERE'S NO TV! [001:52:42;412] TAKE THE TV [001:52:42;412] FROM YOUR OLD ROOM. [001:52:46;883] HE WANTS YOU [001:52:46;883] TO LIKE THIS ROOM. [001:58:57;380] g [001:58:57;380] IS THAT YOUR BUYER [001:58:57;380] IN BAGHDAD? [001:59:00;316] NOT NEARILY. [001:59:02;052] SOMEONE ELSE MIGHT COME [001:59:02;052] UP WITH A BETTER PRICE. [001:59:05;721] YOUR LOYALTY IS TOUCHING. [001:59:09;025] IN THE NATIVE DIALECT [001:59:09;025] OF MY VILLAGE, [001:59:11;528] THERE IS NO WORD [001:59:11;528] FOR LOYALTY. [001:59:14;297] PLEASE SIT DOWN. [001:59:15;865] THIS TRIP [001:59:15;865] S [001:59:18;834] WILL YOU JOIN ME [001:59:18;834] E REFRESHMENTS?DOWN. [001:59:35;017] x [001:59:35;017] THE HOMING DEVICE [001:59:35;017] HAS BEEN STATIONARY [001:59:37;019] FOR SEVERAL MINUTES, [001:59:37;019] CAPTAIN. [001:59:38;788] HOW FAR IS THE TUNNEL? [001:59:41;057] JUST OVER THE NEXT RISE. [001:59:48;430] BUT SSDERS [001:59:50;933] IS MORE REALISTIC. [001:59:52;768] WE WANT TO BE [001:59:52;768] TRADING PARTNERS [001:59:52;768] WITH THE WEST. [001:59:55;537] YOU NEED OIL. [001:59:57;139] WE NEED YOUR TECHNOLOGY, [001:59:58;641] LIKE THIS BELT, [001:59:58;641] FOR INSTANCE. [002:00:00;810] I KNOW WHAT WILLAPN [002:00:00;810] IN YOUR PART OF THE WORLD, [002:00:04;146] AND THAT BELT WON'T HELP. [002:00:06;482] AHH, NO MAN CAN TELL [002:00:06;482] THE FUTURE. [002:00:10;419] x [002:00:10;419] ISHE BELT READY? [002:00:11;988] YES. [002:00:13;455] DR. BACH, WON'T YOU [002:00:13;455] PLEASE TELL MY MAN [002:00:17;226] HOW TO PROCEED? [002:00:21;597] YOU DON'T NEED HIM. [002:00:21;597] I CAN DO IT. [002:00:25;434] I'D PREFER IT [002:00:25;434] TO BE DR. BACH. [002:00:29;105] SURELY YOU TAKE [002:00:29;105] AN INVENTOR'S PRIDE [002:00:31;674] IN YOUR CREATION? [002:00:33;709] JUST GIVE US [002:00:33;709] A LITTLE TASTE. [002:00:39;448] MOVE YOUR LEFT AND [002:00:39;448] RIGHT HAND CONTROLS [002:00:42;018] ALTHE WAY FORWARD. [002:00:43;318] COLONEL, [002:00:43;318] THAT'S NOT HOW-- [002:00:44;720] NOT NOW. [002:00:52;561] AAH! [002:01:04;039] UH. [002:01:12;214] YOU DON'T WANT TO FOOL [002:01:12;214] WITH THESE PEOPLE. [002:01:16;652] DO YOU WANT TO DIE? [002:01:18;253] AT THIS POINT, [002:01:18;253] IT'D BE NO GREAT LOSS. [002:01:21;190] OH, THE GREAT [002:01:21;190] PROFESSOR BACH, [002:01:23;625] WALLOWING IN SELF-PITY. [002:01:25;927] GET WITH THE PROGRAM, [002:01:25;927] DOCTOR. [002:01:28;263] THE COLONEL [002:01:28;263] CAN MAKE YOU RICH. [002:01:30;865] MAKE YOU RICH, YOU MEAN. [002:01:32;734] WE BOTH MAKE OUT. [002:01:32;734] WHAT'S WRONG WITH THAT? [002:01:35;337] IF I WERE TO COOPERATE [002:01:35;337] WITH THIS MAN, [002:01:37;906] I WOULD ROT IN HELL [002:01:39;608] BEFORE I'D LET YOU PROFIT [002:01:39;608] FROM ONE RED CENT [002:01:42;611] FROM YOUR TREACHERY TO ME. [002:01:45;547] YOU'D CUT OFF YOUR NOSE [002:01:45;547] TO SPITE YOUR FACE? [002:01:48;317] IT'S MY NOSE, [002:01:49;818] MY FACE. [002:01:51;119] I DON'T THINK [002:01:51;119] YOU UNDERSTAND [002:01:51;119] THE SERIOUSNESS [002:01:54;756] OF THE SITUATION. [002:01:56;024] OF COURSE I DO. [002:01:56;024] I JUST DON'T GIVE A DAMN. [002:02:04;298] GO AHEAD. KILL ME. [002:02:08;035] YOU'RE FAR TOO VALUABLE [002:02:08;035] TO KILL. [002:02:10;804] I'LL KILL HER. [002:02:15;876] NOW YOU DON'T HAVE [002:02:15;876] TO WORRY ABOUT JANE [002:02:18;479] MAKING A PROFIT [002:02:18;479] OFF HER TREACHERY. [002:02:21;148] NOW LET'S GET DOWN [002:02:21;148] TO BUSINESS. [002:02:23;517] TRUST ME. [002:02:24;985] YOU DON'T WANT TO GO [002:02:24;985] TO BAGHDAD. [002:02:57;251] xKxz [002:02:57;251] LET'S GO. [002:03:28;515]  [002:03:28;515] MIRA, MIRA. MIRA. [002:04:12;225] WEOME TO MEXICO, [002:04:12;225] SER MARSHAL. [002:04:17;429] GRACIAS. [002:04:22;468] VA CON DIOS. [002:04:33;779] q [002:04:35;781] LESS THA [002:12:18;772] THE PRODUCT OF THOSE [002:12:18;772]  MITCH Mc [002:12:24;478] TTOR [002:12:24;478] ONE OF THEM, ANYWAY. [002:12:27;581] O KNEW, [002:12:29;015] BUT I THOUT I'D [002:12:29;015] MENTION SE. [002:12:33;787] YOU CARE [002:12:33;787] TO SIT DOWN? [002:12:35;489] NOT REALLY. [002:12:45;065] I WATHIS IS... UH, AND.IS I. [002:12:47;768] THIS IS VERY AWKWARD. [002:12:55;476] IN AN UNETH-- [002:12:55;476] UNETHICAL MANN [002:13:02;649] HAS. [002:13:10;624] LL, A,H, [002:13:10;624] WE'VE BEEN. [002:13:13;794] OVERBILLING OUR CLIENTS. [002:13:31;444] CASEIVOVERBILLING. [002:13:35;415] I ASSURE YOU, [002:13:35;415] I HAD NO IA [002:13:37;951] S WAS ING ON [002:13:37;951] ENNED E RM [002:13:41;487] I FEEL I HAVE [002:13:41;487] TO REPORT THIS [002:13:41;487] CRIMINAL BEHAVIOR. [002:13:46;859] BUT CACAN'T USE [002:13:49;396] I FEEL I HAVE [002:13:49;396] TO RWITHOUT YOUR [002:13:49;396] WRITTEN AUTHORIZATION. [002:13:55;402] YES, S.ILLS. [002:13:55;402] OUR INVOICES? [002:13:56;702] ITOOF [002:13:59;105] THAT WE'VE [002:13:59;105] OVERBILLED YOU. [002:14:05;545] PRETTY MUCH. [002:14:07;147] WELL, MOST OF OUR CLIENTS [002:14:07;147] HAVE ALREADY AGREED-- [002:14:10;050] PRTYUCALL-- [002:14:13;320] Y [002:14:13;320] WELL, MOST OF OUR CLIENTS [002:14:13;320] IC WHYLREADY AGREED-- [002:14:15;721] AND THIS IS WHAT [002:14:15;721] YOU'VE BEEN TALKING [002:14:15;721] TO THE FBI ABOUT? [002:14:19;960] UR [002:14:22;895] WHAT WE CHARGED YOU, [002:14:24;297] I SHOULD SAY [002:14:24;297] OVERCHARGED YOU. [002:14:27;600] TORN [002:14:29;169] I SHOULD SAY [002:14:29;169] YES, S.RGED YOU. [002:14:30;437] TT TORN [002:14:31;704] NO, SIR. SAY [002:14:31;704] IT DOES NOT IN ANY WAY [002:14:34;507] WAIVE YOUR RIGHTS [002:14:34;507] FULL ANCOMP [002:14:34;507] NFALY [002:14:45;918] IN LAW [002:14:45;918] WHETHER I LIKE IT [002:14:45;918] OR NOT, [002:14:47;954] I CAN'T TALK TO [002:14:47;954] THE GOVERNMENT ABOUT YOU [002:14:50;389] EN W LAWYER. [002:14:52;825] AT WOUEA MY OA. [002:14:55;761] ALL RIGHT, MITCH. [002:15:04;036] THEN WHATHE FILEAT THE FUCK A [002:15:04;036] THE FILES [002:15:04;036] HAVEN'T BEEN STOLEN. [002:15:11;043] FOR ME TO BE [002:15:11;043] THOROUGHLY FAMILIAR [002:15:13;112] WITH THE PRECISE MAKEUP [002:15:13;112] AND WHEREABOUTS [002:15:15;080] URAN.. [002:15:19;619] SOD EVERYTHING. [002:15:19;619] WITH THE PRECISE MAKEUP [002:15:19;619] AND WHEREABOUTS [002:15:29;328] AT IE [002:15:29;328] TALK TO THPARTY, [002:15:37;603] THEVHINGHEC, ATSRK. [002:15:40;406] I KNOW EVERYTHING [002:15:40;406] YOU KNOW... [002:15:43;308] IAS Y [002:15:47;746] I KNOW EVERYTHING [002:15:47;746] YOU KNOW... AND F THE FI [002:15:49;948] OULD DESEAT SOME POT [002:15:51;883] TOTE [002:15:51;883] UR EMPYM [002:16:00;491] I AM VERY MUCH LIKE... [002:16:07;766] UL [002:16:07;766] A SHIP CARRYING A CARGO [002:16:09;500] THAT WILL NEVER [002:16:09;500] REACH ANY PORT. [002:16:15;674] ONG [002:16:15;674] SOO SPEAK.LEA, [002:16:19;477] SSIR FNG [002:16:19;477] ARAFH? [002:16:23;214] R A NIIN TAC [002:16:23;214] ONG [002:16:23;214] SOO SPEAK.LEA, [002:16:27;052] IN ANY CASE, I NEED [002:16:27;052] YOUR WRITTEN AUTHORIZATION [002:16:31;756] IASE BILLSVERY CLIEN [002:16:39;263] S [002:16:39;263] IN ANY CASE, I NEED [002:16:39;263] YOUR WRITTEN AUTWI YZATION [002:19:33;201] ♪ WOULD YOU HOLD MY HAND [002:19:39;241] ♪ IF I SAW YOU IN HEAVEN? [002:19:45;847] ♪ WOULD YOU HELP ME STAND [002:19:51;887] ♪ IF I SAW YOU IN HEAVEN? [002:19:58;260] ♪ I'LL FIND MY WAY [002:20:04;933] ♪ THROUGH NIGHT AND DAY [002:20:08;403] ♪ 'CAUSE I KNOW [002:20:08;403] I JUST CAN'T STAY ♪ [002:20:14;442] ♪ HERE IN HEAVEN [002:20:29;023] ♪ TIME CAN BRING YOU DOWN [002:20:32;327] ♪ TIME CAN BEND YOUR KNEES [002:20:41;936] ♪ TIME CAN BREAK YOUR HEART [002:20:44;706] ♪ HAVE YOU BEGGING PLEASE [002:20:49;544] ♪ BEGGING PLEASE [002:20:55;216] ( steel guitar solo ) [002:21:20;074] ♪ BEYOND THE DOOR [002:21:26;212] ♪ THERE'S PEACE I'M SURE [002:21:29;015] ♪ AND I KNOW [002:21:32;519] ♪ THERE'LL BE NO MORE [002:21:36;490] ♪ TEARS IN HEAVEN [002:21:50;937] ♪ WOULD YOU KNOW MY NAME [002:21:57;043] ♪ IF I SAW YOU IN HEAVEN? [002:22:03;149] ♪ WOULD YOU BE THE SAME [002:22:09;656] ♪ IF I SAW YOU IN HEAVEN? [002:22:16;296] ♪ I MUST BE STRONG [002:22:22;235] ♪ AND CARRY ON [002:22:25;939] ♪ 'CAUSE I KNOW I DON'T BELONG [002:22:32;378] ♪ HERE IN HEAVEN [003:05:03;130] C [003:05:03;130] AND IT WAS BECOMING [003:05:03;130] A PSYCHEDELIC WAR. [003:05:05;833] YOU KNOW, THE CULTURE WAS [003:05:05;833] INFLUENCING [003:05:08;469] SORT OF SEEPING [003:05:08;469] INTO SOUTHEAST ASIA. [003:05:11;238] THE STRANGE U.S. CULTURE [003:05:11;238] THAT WAS GOING ON... [003:05:17;344] WHERE YOU REALLY GOT A TONE [003:05:17;344] THAT IT IS A ROCK AND ROLL WAR [003:05:21;482] THAT THINGS ARE... [003:05:23;083] THINGS HAVE GONE A LITTLE [003:05:23;083] FURTHER THAN ANYONE REALIZED. [003:05:27;087] Lucas: [003:05:27;087] WHEN WE WERE DEVELOPING THIS [003:05:29;322] NOBODY KNEW THAT THERE [003:05:29;322] WERE DRUGS OVER THERE. [003:05:32;158] NOBODY KNEW ALL THE CRAZINESS [003:05:32;158] THAT WAS GOING ON. [003:05:35;295] A LOT WAS KEPT BACK. [003:05:36;630] SO IT WAS A CHANCE [003:05:36;630] TO MAKE A MOVIE [003:05:38;832] THAT WOULD REVEAL [003:05:38;832] A LOT OF THINGS. [003:05:41;067] AT THAT POINT, WE HAD AN ENDING [003:05:43;036] IN A VERY LARGE BATTLE [003:05:43;036] WITH THE VIETCONG [003:05:45;572] AND HAVING WILLARD AND KURTZ [003:05:45;572] FIGHTING OFF ALL THE VIETCONG. [003:05:49;376] AND THEN WHEN THEY BRING IN THE [003:05:49;376] HELICOPTERS TO BRING HIS MEN OUT [003:05:53;547] HE SAYS, "NO, I FOUGHT [003:05:53;547] TOO HARD FOR THIS LAND." [003:05:56;583] HE SHOOTS DOWN THE HELICOPTER. [003:05:58;585] I NEVER CARED FOR [003:05:58;585] THE ENDING SO MUCH. [003:06:01;087] I ALWAYS THOUGHT [003:06:01;087] THE ENDING WAS WEAK. [003:06:03;557] THE ENDING DIDN'T TOP WHAT HAD [003:06:03;557] HAPPENED WITH THE HELICOPTERS [003:06:07;561] AND IT HAD NO-- DIDN'T ANSWER [003:06:07;561] ANY OF THE KIND OF MORAL ISSUES. [003:06:11;732] IT GOT INTO [003:06:11;732] A REAL GUNG-HO, MACHO [003:06:14;034] KIND OF A COMIC BOOK ENDING. [003:06:16;036] AND MY CHOICE WAS TO MAKE IT [003:06:18;138] MUCH MORE BACK TO [003:06:18;138] HEART OF DARKNESS [003:06:20;541] THAN REALLY JOHN AND [003:06:20;541] GEORGE WERE INTENDING. [003:06:23;609] I'D LIKE TO SAVE [003:06:23;609] THE IN-DEPTH STUFF [003:06:26;145] FOR THE SECOND [003:06:26;145] READING. [003:06:27;880] Coppola: [003:06:27;880] AND I THINK VERY EARLY ON [003:06:29;849] I KNEW THAT WHEN I ARRIVED [003:06:29;849] I WOULD TAKE JOHN'S SCRIPT [003:06:33;252] AND KIND OF MATE IT [003:06:33;252] WITH HEART OF DARKNESS [003:06:35;922] AND WHATEVER HAPPENED TO ME [003:06:35;922] IN THE JUNGLE. [003:06:38;624] I MEAN, I KNEW [003:06:38;624] THAT WAS, LIKE, MY CONCEPT. [003:06:41;694] Eleanor: [003:06:41;694] THIS AFTERNOON, FRANCIS GOT [003:06:41;694] A CALL FROM HIS ATTORNEY. [003:06:45;898] APPARENTLY, BRANDO IS REFUSING [003:06:47;800] TO GIVE FRANCIS [003:06:47;800] THE EXTRA TIME HE NEEDS [003:06:50;269] TO REWRITE THE ENDING. [003:06:51;671] BRANDO IS THREATENING [003:06:51;671] TO DROP OUT OF THE PROJECT [003:06:54;707] AND KEEP [003:06:54;707] HIS MILLION-DOLLAR ADVANCE. [003:06:56;976] YEAH, BUT ARE [003:06:56;976] THEY SERIOUSLY SAYING [003:06:59;311] THAT MARLON WOULD TAKE [003:06:59;311] A MILLION DLLARS [003:07:02;014] AND THEN NOT SHOW UP? [003:07:05;585] BUT IMAGINE, HERE I AM [003:07:05;585] WITH ABOUT 50 THINGS [003:07:08;788] THAT ARE JUST QUASI [003:07:08;788] IN MY CONTROL [003:07:11;223] LIKE THE PHILIPPINE GOVERNMENT [003:07:11;223] AND FUCKING HELICOPTERS [003:07:14;827] TAKE AWAY [003:07:14;827] WHEN THEY WANT. [003:07:17;296] I MEAN, ALL I'M ASKING IS [003:07:17;296] FOR MARLON TO ALLOW ME [003:07:20;365] TO START HIM [003:07:20;365] A LITTLE LATER. [003:07:22;167] I KNOW IT'S MY FAULT [003:07:23;535] BUT DO I HAVE TO SHOOT [003:07:23;535] THE LAST 30 MINUTES OF THE MOVIE [003:07:27;073] IN THE BEGINNING? [003:07:28;207] TELL HIM TO KEEP [003:07:28;207] ACTING, RANDY. [003:07:30;476] Coppola: [003:07:30;476] I ASSUMED THAT THERE WOULD BE [003:07:30;476] SOME MALLEABILITY ABOUT MARLON. [003:07:35;114] AND I ALSO DIDN'T REALIZE [003:07:37;583] THE IMMENSITY [003:07:37;583] OF THE CONSTRUCTIONS AND STUFF. [003:07:41;386] THE PICTURE'S BIGGER [003:07:41;386] THAN I THOUGHT. [003:07:43;688] I PERSONALLY, AS AN ARTIST, [003:07:43;688] WOULD LOVE THE OPPORTUNITY [003:07:47;192] TO JUST FINISH THE PICTURE [003:07:47;192] UP UNTIL THE END [003:07:49;961] TAKE FOUR WEEKS OFF, [003:07:49;961] WORK WITH MARLON [003:07:52;331] REWRITE IT AND THEN JUST [003:07:52;331] IN THREE WEEKS DO THE ENDING. [003:07:55;867] I THINK I COULD MAKE [003:07:55;867] THE BEST FILM THAT WAY. [003:07:58;637] IT SEEMS LIKE SUCH A KIND [003:07:58;637] OF BRIGHT THING TO DO [003:08:01;607] AND I FEEL THAT THE PEOPLE [003:08:01;607] BACK THERE FEEL [003:08:04;276] THAT POSTPONEMENT IS LIKE, [003:08:04;276] UH-OH, THE PICTURE'S IN TROUBLE. [003:08:08;046] MAJOR STUDIOS USED TO DO THINGS [003:08:08;046] LIKE THIS ALL THE TIME. [003:08:11;583] I KNOW, AND THAT'S [003:08:11;583] WHAT SORT OF BUGS ME [003:08:14;219] IS THE LUDICROUSNESS OF THINKING [003:08:14;219] THAT AFTER ALL I'VE BEEN THROUGH [003:08:18;624] AFTER ALL THE PICTURES I'VE MADE [003:08:18;624] AND AFTER SHOOTING 16 WEEKS [003:08:33;405] VNBANDDPSDAD [003:08:33;405] 'GBAKNICHOLSON. [003:08:36;574] IF I CAN'T GET NICHOLSON, [003:08:36;574] I'LL GO BACK TO PACINO. [003:08:39;677] IF I CAN'T GO TO PACINO, [003:08:39;677] I'LL GO BACK TO SOMEONE ELSE. [003:08:43;080] I MEAN, SOONER OR LATER I CAN [003:08:43;080] GET SOMEONE FOR THREE WEEKS. [003:08:46;917] I MEAN, IT'S JUST... [003:08:46;917] IT'S NOT IN THE CARDS [003:08:49;654] THAT WE'RE NOT GOING [003:08:49;654] TO FINISH THE MOVIE. [003:13:49;985]  [003:13:49;985]  [003:13:49;985]  [003:13:49;985] YEAH. [003:13:51;052] I DROPPED IT. [003:13:52;387] YOU DROPPED ACID? [003:13:54;155] FAR OUT. [003:13:56;157] Bottoms: [003:13:56;157] MOST OF MY CHARACTER WAS DONE [003:13:56;157] UNDER THE INFLUENCE OF POT. [003:13:59;760] I SMOKED A LOT. [003:14:01;062] UM... YOU KNOW, THE [003:14:05;066] OUR GUESTS UPRIVER WITH US. [003:14:08;936] Interviewer: [003:14:08;936] DID YOU DROP [003:14:08;936] ANY ACID? [003:14:11;071] SURE. [003:14:12;239] DID YOU DROP ANY ACID [003:14:12;239] DURING THE FILM? [003:14:14;841] SURE. [003:14:16;043] AT DOLONG BRIDGE? [003:14:17;577] UM... [003:14:21;115] NO, I WAS... I DID [003:14:21;115] SOMETHING ELSE AT DOLONG BRIDGE. [003:14:25;152] I, UM... I DIDN'T TAKE [003:14:25;152] ANY ACID THERE. [003:14:28;155] I DID SOMETHING ELSE. [003:14:29;890] WHAT DID YOU DO? [003:14:31;025] I WAS DOING SPEED THEN. [003:14:32;626] WE WERE WORKING LOTS OF NIGHTS [003:14:34;761] AND I WANTED SORT OF [003:14:34;761] A SPEEDY SORT OF EDGE. [003:14:37;764] I... I, UM... [003:14:39;699] AND MARIJUANA AND ALCOHOL. [003:14:41;735] I MEAN, WE WERE BAD. [003:14:43;437] WE WERE JUST BAD BOYS, YOU KNOW? [003:14:45;705] IT WRAZY, COMPLETELY MAD. [003:14:47;674] THE WHOLE THING WAS MAD. [003:14:49;309] WE FELT AFTER AWHILE [003:14:49;309] WE REALLY WEREN'T THERE. [003:14:52;379] IT WAS LIKE YOU WERE [003:14:52;379] IN A DREAM OR SOMETHING. [003:14:55;382] THAT WAS REALLY CRAZY, MAN. [003:14:57;384] THAT TIME IN THE JUNGLE [003:14:57;384] WITH ME AND MARTY AND THE TIGER. [003:15:01;488] YEAH, THAT WAS REALLY... [003:15:01;488] THAT WAS JUST INSANE. [003:15:05;125] WE HAD THIS GUY THERE WITH THE [003:15:05;125] TIGER-- A COUPLE-- THE TRAINERS. [003:15:09;329] HE HAD, LIKE, [003:15:09;329] A SLIGHT SPEECH IMPEDIMENT [003:15:11;831] HE HAD SCAR TISSUE [003:15:11;831] ALL OVER HIS FACE [003:15:14;101] WHERE HE'D HAD SOME BOUTS [003:15:14;101] WITH THE TIGER, GAMBI. [003:15:17;170] SO AFTER YOU'VE HAD A CAT THAT'S [003:15:17;170] DONE THAT TWO OR THREE TIMES [003:15:20;706] IT'S NO LONGER WORTH IT. [003:15:23;176] ONCE THEY'VE PUT [003:15:23;176] A HOLE IN YOUR LEG [003:15:25;378] IT'S USUALLY ON THE JOINT [003:15:27;046] BECAUSE THAT'S USUALLY [003:15:27;046] WHERE THEY'RE GOING FOR [003:15:29;848] AND YOU CAN'T WALK FOR A YEAR [003:15:31;684] SO YOU USUALLY PUT THE CAT OUT [003:15:31;684] AND START OVER AGAIN. [003:15:34;920] Forrest: [003:15:34;920] THE TRAINER HAD, LIKE, [003:15:34;920] A PIG ON A STRING [003:15:37;923] SO THE TIGER WOULD SEE HIM [003:15:39;658] AND THEN HE WOULD PULL HIM [003:15:39;658] BACK TO MAKE HIM JUMP. [003:15:42;562] THE GUY WOULD COME AROUND [003:15:44;097] AND SAY, "GAMBI'S [003:15:44;097] VERY HUNGRY TODAY, MARTIN. [003:15:46;432] "HE'S VERY HUNGRY, MR. COPPOLA. [003:15:48;000] "I'M SURE HE WILL DO [003:15:48;000] EXACTLY WHAT YOU WANT. [003:15:50;103] WE HAVEN'T FED HIM IN A WEEK." [003:15:52;371] "OH, SHIT." [003:15:53;506] ACTION. [003:15:55;908] Forrest: [003:15:55;908] WE COME OUT THERE [003:15:57;477] AND FRANCIS KEEPS SAYING, [003:15:57;477] "GET CLOSER." [003:15:59;812] AND WE'RE SAYING, [003:15:59;812] "YOU GET CLOSER, FRANCIS." [003:16:05;784] ( whispers: ) [003:16:05;784] WHAT IS IT? [003:16:10;123] CHARLIE? [003:16:11;257] P.C.? [003:16:16;895] ( roaring ) [003:16:17;963] TIGER! [003:16:21;100] Forrest: [003:16:21;100] I'D NEVER BEEN [003:16:21;100] SO FRIGHTENED IN MY LIFE [003:16:23;902] BECAUSE IT WAS SO FAST. [003:16:25;337] I GOT TO REMEMBER, [003:16:25;337] NEVER GET OUT OF THE BOAT! [003:16:29;307] Forrest: [003:16:29;307] TO ME THAT WAS THE ESSENCE [003:16:29;307] OF THE WHOLE FILM [003:16:32;645] WAS THE LOOK [003:16:32;645] IN THAT TIGER'S EYES-- [003:16:35;180] THE MADNESS, LIKE IT DIDN'T [003:16:35;180] MATTER WHAT YOU WANTED. [003:16:39;084] THERE WAS NO REALITY ANYMORE. [003:16:41;353] IF THAT TIGER WANTED YOU, [003:16:41;353] YOU WERE HIS. [003:16:53;231] w3' [003:16:53;231] Man: [003:16:53;231] FELLAS, WATCH YOUR REFLECTIONS [003:16:53;231] IN THE MIRROR. [003:16:56;434] HERE WE GO. [003:16:58;937] TAKE THREE, CAMERA A. [003:17:01;373] Coppola: [003:17:01;373] ACTION. [003:17:05;010] Sheen: [003:17:05;010] THAT OPENING SEQUENCE WAS SHOT [003:17:05;010] ON MY 36th BIRTHDAY, AUGUST 3 [003:17:09;848] AND I WAS SO DRUNK [003:17:09;848] I COULDN'T STAND UP, FRANKLY. [003:17:13;418] Coppola: [003:17:13;418] MARTY, GO LOOK [003:17:13;418] AT YOURSELF [003:17:15;554] IN THE MIRROR. [003:17:18;957] I WANT YOU [003:17:18;957] TO LOOK [003:17:20;059] AT HOW BEAUTIFUL [003:17:20;059] YOU ARE. [003:17:21;626] I WANT YOU TO LOOK [003:17:21;626] AT YOUR MOUTH. [003:17:23;761] YOUR MOUTH [003:17:23;761] AND YOUR HAIR. [003:17:29;167] YOU LOOK LIKE [003:17:29;167] A MOVIE STAR. [003:17:35;139] NOW FRIGHTEN [003:17:35;139] YOURSELF, MARTY. [003:17:37;875] SHOW YOURSELF [003:17:37;875] THE PART [003:17:39;677] THAT FRIGHTENS [003:17:39;677] YOU. [003:17:45;482] ( glass smashing ) [003:17:48;019] ( karate yell ) [003:17:53;825] Sheen: [003:17:53;825] I WAS SO INTOXICATED [003:17:55;827]  [003:17:55;827] I DIDN'T REALIZE [003:17:55;827] HOW CLOSE TO THE MIRROR I WAS [003:17:59;330] SO WHEN I STRUCK IT [003:18:00;865] I ENDED UP CATCHING MY THUMB [003:18:00;865] IN THE MIRROR [003:18:04;068] AND SPLIT IT OPEN A BIT. [003:18:05;737] Coppola: [003:18:05;737] OKAY, CUT. [003:18:08;806] DO WE HAVE [003:18:08;806] A DOCTOR? [003:18:10;341] FRANCIS TRIED TO STOP IT [003:18:10;341] AND HE CALLED FOR A DOCTOR. [003:18:13;811] THERE WAS A NURSE STANDING BY, [003:18:13;811] AND I SAID, "NO, LET IT GO. [003:18:17;681] I WANT TO HAVE THIS OUT [003:18:17;681] RIGHT HERE AND NOW." [003:18:20;618] IT HAD TO DO WITH FACING [003:18:20;618] MY WORST ENEMY: MYSELF. [003:18:25;223] I WAS IN A CHAOTIC [003:18:25;223] SPIRITUAL STATE INSIDE. [003:18:33;764] ( crying: ) [003:18:33;764] TALK TO ME... [003:18:36;366] ( yelling ) [003:18:41;805] Coppola: [003:18:41;805] WHY DID YOU [003:18:41;805] COME BACK? [003:18:43;874] WHY DID YOU [003:18:43;874] COME BACK? [003:18:45;375] DON'T TALK TO ME. [003:18:46;609] ( crying ) [003:18:51;982] Sheen: [003:18:51;982] I FOUGHT HIM LIKE A TIGER. [003:18:55;652] IT WAS REAL HARD FOR ME [003:18:55;652] TO REVEAL MYSELF. [003:19:00;757] YOU FUCKER! [003:19:04;161] Coppola: [003:19:04;161] THINK ABOUTIT. [003:19:05;896] ( crying ) [003:19:07;964] YOUR WIFE. [003:19:10;066] I... [003:19:11;168] HOME. [003:24:54;640] Coppola: [003:24:54;640] SO WHAT I SHOULD DO IS [003:24:56;908] JUST SHOOT FOR THE NEXT [003:24:56;908] THREE WEEKS IRRATIONALLY. [003:25:00;646] IN OTHER WORDS, IF I DID [003:25:00;646] AN IMPROVISATION EVERY DAY [003:25:05;250] BETWEEN MARLON BRANDO [003:25:05;250] AND MARTY SHEEN [003:25:08;586] WOULD I AT THAT TIME HAVE [003:25:10;889] MORE MAGICAL AND, [003:25:10;889] IN A WAY, TELLING MOMENTS [003:25:14;726] THAN IF I JUST CLOSE DOWN [003:25:14;726] FOR THREE WEEKS [003:25:18;429] AND WRITE A STRUCTURE [003:25:18;429] THAT THEN THEY ACT? [003:25:21;066] AND THE ANSWER WOULD BE [003:25:22;600] I'M MUCH BETTER OFF TO DO [003:25:22;600] AN IMPROVISATION EVERY DAY. [003:25:31;910] Coppola: [003:25:31;910] WHAT IS [003:25:31;910] THE BLOOD LUST? [003:25:40;385] THE BLOOD LUST. [003:25:43;388] THE BLOOD LUST, THEY SAY [003:25:50;395] ALL THE MEN THAT I'VE READ ABOUT [003:25:54;198] THEY SAY THAT THE HUMAN ANIMAL [003:25:58;002] IS THE ONLY ONE [003:25:58;002] THAT HAS BLOOD LUST. [003:26:04;441] KILLING WITHOUT PURPOSE. [003:26:08;312] KILLING FOR PLEASURE. [003:26:10;547] YOU CAN SEE LIGHT THROUGH THIS. [003:26:15;619] YOU TAKE THE ONES [003:26:18;689] THAT ARE MADE FOR GARBAGE DETAIL [003:26:21;826] YOU TAKE THE OTHERS WHO ARE [003:26:21;826] MADE TO THINK BUT WHO CAN'T ACT. [003:26:26;063] YOU TAKE... [003:26:31;635] I SWALLOWED A BUG. [003:26:34;939] IT'S IRRESISTIBLE, [003:26:34;939] BUT WHEN A BEE DISCOVERS HONEY [003:26:41;511] HE IS IRRESISTIBLY DRIVEN. [003:26:43;914] ( hammering ) [003:26:44;982] MY... MY FRIEND LAUGHS. [003:26:48;018] HE'S MY CRITIC. [003:26:52;189] MY ONLY CRITIC [003:26:54;558] PERHAPS OUTSIDE OF MYSELF. [003:26:58;729] Coppola: [003:26:58;729] I WANT A CHARACTER [003:26:58;729] OF A MONUMENTAL NATURE [003:27:04;433] WHO IS STRUGGLING WITH [003:27:04;433] THE EXTREMITIES OF HIS SOUL. [003:27:08;738] AND IS STRUGGLING WITH THEM [003:27:08;738] ON SUCH A LEVEL [003:27:12;341] THAT YOU ARE IN AWE OF IT, [003:27:12;341] AND IS DESTROYED BY THEM. [003:27:19;548] IT TAKES... [003:27:22;518] BRAVERY. [003:27:24;053] THE DEEPEST BULLETS [003:27:24;053] ARE NOT TO BE FEARED. [003:27:28;024] PHOSPHORUS, NAPALM [003:27:28;024] ARE NOTHING TO BE FEARED. [003:27:32;061] BUT TO LOOK INWARD, [003:27:32;061] TO SEE THAT TWISTED MIND [003:27:37;733] THAT LIES BENEATH [003:27:37;733] THE SURFACE OF ALL HUMANS [003:27:42;471] AND TO SAY, "YES, I ACCEPT YOU. [003:27:48;044] "I EVEN LOVE YOU [003:27:48;044] BECAUSE YOU'RE A PART OF ME [003:27:50;914] YOU'RE AN EXTENSION OF ME."